Jon LeClair's Impromptu Sefelaljia
Posted on : 6/2000, appearing in MUM 11/00

Those familiar with my methods should have no problem understanding these instructions. I guarantee you'll be impressed by the impact.

Stewart James' version of the Spirit Cabinet (Sefelaljia) is considered a classic of magic in every sense. This method suggests more innocence because only a piece of cardboard is used in place of the original curtained cabinet. Although the effect seems "impromptu" to the spectators, there is a minor bit of initial preparation.


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Effect: A ball is made to travel between two glasses behind a cardboard curtain.

Needed:

1- Sponge ball - 1 or 2 inches in diameter.

2 - Drinking Glasses - 3inches in diameter and height (On The Rocks type).

1 - 8X9 Inch piece of Cardboard - 1/8 inches thick.

Invisible Thread and LeClair's Skin Colored Putty (OK, you can use wax if you prefer).

1 - Sewing Straight Pin (1 inch with a tiny head at one end).

White Glue

Set Up: First bend the "head end" of the pin with some needle nose pliers 90 degrees. This bent portion is only about 3 or 4 millimeters long and will eventually be the pulley on which the thread will ride.

Table the glasses in front of you side by side about two inches apart. Lean the cardboard (with the longer edge to the table) against the glasses, between the audience and the glasses, so the spectators will be unable to see either glass during performance. It is all the easier if the table surface is clothed in some manner so the cardboard will not slide but can be done on the bare surface with practice. Notice how the topmost edge of the cardboard is the perfect area to insert our pin "pulley".

One Time Preparation: Hold the rectangular piece of cardboard with its long edge on a table. Holding the cardboard with the opposite lengthwise end upward, insert the sharp end of the pin (with a bit of glue on it) into the edge of the cardboard right above where the middle of the left hand glass would rest (about 3 inches from the left end) when leaning against the glasses.

The small bend in the pin made with the pliers should now stick out the backside of the board at the top edge that will hang right over the left hand glass - if the glasses are covered as previously described.

When the glue dries you’ll have a piece of cardboard with an unnoticeable pinhead sticking out that will engage the thread during the effect. This perpendicular pinhead is invisible from the front and very inconspicuous from any angle. I could go into ways of camouflaging the pinhead but since this presentation is directed more toward platform, where its unnecessary to have it thoroughly examined by the audience anyway.

Performance Preparation: Connect one end of a 2 ½ foot length of invisible thread to your upper body and the other end to the sponge ball (the ball can be connected to the thread during the effect but the reader can make their own call).

Performance: Claiming to be able to make an object travel by spiritual intervention the magician displays 2 glasses and places them next to one another on a table. A ball is introduced and placed into the performers right hand glass. Next a plain piece of cardboard is shown while it’s explained how spirits are very shy and their covortations are hardly ever seen in the middle of the day, let alone in front of an entire audience. After briefly shielding the ball and glasses with the cardboard curtain, the ball mystically travels to the other glass.

Mechanics: The performer needs to stand to the right of the glasses not only to necessitate the effect but also to make it plain to the audience that you could not simply have lifted the ball out and put in the other glass by some unseen connection.

As the cardboard is picked up and shown to the audience with the right hand (out of reach of your thread set-up), the left hand needs to inconspicuously engage the thread between its forefinger/thumb crotch. You can now easily place the thread over the pin pulley (which should be facing towards yourself at this point) without physically announcing it to the audience.

After maneuvering the thread over the pin pulley, place the cardboard in front of the glasses using only the left or right hand, which should now only hold the cardboard curtain by the very right hand edge for clarity. After the board is in place you can even give the audience one last glimpse of the ball and glasses after they have been covered by tilting the bottom of the cardboard towards the audience while trying to maintain the top pulley in a somewhat stationary position. Don’t move the top end of cardboard too much as it will disengage the thread from the hook or make the ball move prematurely.

With the cardboard curtain back in place (leaning against the glasses) by slowly moving your body to right causes the ball to rise out of the right hand glass and swing over to the other glass (but not past the edge of the cardboard for gravitational reasons). It will dangle above the left hand glass until you move back towards the glasses, the ball lowers into the left hand glass.

Remove the cardboard with the right hand, pulling it to the right you can freely toss it aside (the thread will disengage easily if the cardboard is taken away in that direction). As the ball is taken from the glass the thread can be subtly removed from the ball as all is handed out. I've found the audience is barely interested in the cardboard curtain at this point if handled casually. Most all their focus is on the sponge ball after the climax.

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